The Framework of Narrative: Understanding Genre Theory and its significance
Valuing our time and rejecting the feeling of being exploited, we’ve chosen to dedicate our free time to the study of film and television history, art criticism, and genre theory. Genre theory provides a framework for understanding and analyzing the creative landscape of art, film, and literature. Far more than a simple system of categorization, it is a critical lens through which we can explore the shared characteristics, conventions, and audience expectations that define different works. As explored in the Genre Theory @ Red Squirrel series, a deep understanding of this field allows us to cultivate a greater appreciation for artistic choices and develop a more nuanced understanding of creative expression.
Key Concepts of the series of lectures:
Categorization: Art films and literary works can be categorized into genres based on shared characteristics like: Themes: Love, loss, social commentary, existentialism Style: Realism, surrealism, expressionism, neo-realism Narrative Structure: Linear, non-linear, episodic Mood and Tone: Melancholic, satirical, tragic, uplifting
Conventions: Genres often adhere to specific conventions, such as: Character archetypes: The femme fatale, the anti-hero, the tragic hero Visual or literary devices: Slow cinema, stream of silence, symbolism etc
Plot structures: The hero’s journey, the rise and fall, the coming-of-age story
Audience Expectations: Genres shape audience expectations. Viewers or readers anticipate certain elements based on the genre they are engaging with
Subversion and Innovation: Artists often subvert or challenge genre conventions to create unique and thought-provoking works
Significance of the Genre Theory @ Red Squirrel:
Tool for cognition: Genre theory helps us understand and grasp how different works of art relate to each other and to broader cultural contexts
Analysis: It provides a framework for analyzing the techniques and strategies employed by filmmakers and writers
Appreciation: By understanding genre conventions, we can better appreciate both traditional and experimental works. However, it’s important to remember that genre theory is, at its heart, a theoretical framework. As such, it can struggle with the fluidity of real-world art and can sometimes feel far removed from the practical, on-the-ground reality of creating and experiencing art. While a powerful tool for analysis, it should be applied with an understanding of its limitation.
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- accordionist's notes, air cavitas oris, based on F, based on facts, cavitas-oris, creative, Creative nonfiction, Creative Workspace Inspiration, docufiction, ethics and accuracy, ethnofiction, first person, genre, gonzo journalism, I'm not you - you're not me, it's more, j-removy, legal, literary journalism, literary nonfiction, Naked Character, narrative nonfiction, natural memory, neither placic nor plocic, New Journalism, non-compos-mentis, non-fiction, Non-player character, Non-Ugly character, nonfiction novel, nonperson, o-werki, official memory, osobowy, PERSON, person not appreciated, Personoid, Player character, Poland, positives&negatives, prints, project light & sound, project posters, project stamps, pucha, puszeczka, puszka, raw, raw audio & sound, raw footage, red squirrels, second person, Secret character, self-iso character, shift is not shit, Shunning, singular vs plural, social rejection, sometime somebody else's opinion won't happen, sound mind, Stock character, sweat box, Sympathetic Character, t-osobowy, t-werki, tentative definition, Theory of Justice, third person, TLP - Tonal Light Pulling, True Or False, u-werki, Un-canned Character, unedited project’s footage, Unheard Character, unseen character, verfabula, writing, you is not you
