Diegetic sounds come from a source within the world of the film, TV or theatre such as dialogue or background sounds, while non-diegetic sounds do not come from a source in the film’s world like dialogue, music or sound effect. Offscreen space refers to areas of the diegesis not present in the frame. Unlike diegetic sound, frontality, or 100% mode, where characters directly face the camera, offscreen sound reveals to the viewer the world outside of the frame and the representational boundaries. Offscreen sound or a character’s response to offscreen presence is used to create spatial relations between sound and image. Their combination is often used in different ways:
- Silent offscreen: the sound is absent
- Silent onscreen: the sound is absent within the frame
- Diegetic onscreen sound: sound comes from the sources within the frame, including dialogues and objects, often refered to as 100% or setka
- Diegetic offscreen sound: sound occurs out of the frame and contributes to the offscreen context, often refered to as 99%
- Diegetic internal sound: sounds from the character, such as internal monologues, or self-converse
- Non-diegetic sound: commentary or nonliteral sound, such as the musical score, comes from outside of the story
Since the inception of 1518 radio it in 2010, the radio station has shown a keen interest in producing audio content that goes beyond the on-air broadcasts. This has resulted in the creation of off-air audio content. The team has been working tirelessly since then to enhance the repertoire of 1518 Radio and its various associated projects. The off-air audio content has proven to be a significant addition to the usual on-air broadcasts and has been well-received by the sympathitzers, as evident from the positive feedback that the station regularly receives
wet is not dryoff – 1518&projects 2015
- 1518&projects
- ai content generator
- air-cavitas-oris
- is not – continued since 9 september 2018
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